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Paris Kiosque - December 1996 - Volume 3, Number 12 Copyright (c) December 1996 Françoise; Giovannangeli - used with permission
As the trains on RER line C zoom past the Gare d'Austerlitz and Boulevard
Massena, passengers can see the four right-angle towers looming coldly out of
the XIII arrondissement's grim Tolbiac landscape. The ominous structures
protrude defiantly from a drab panorama of adandoned warehouses, deserted train
tracks and vacant lots.
Is this some new kind of giant power generator? Is it the east side's
answer to the glassy skyscrapers of La Defense? The mysterious-looking edifice,
it turns out, is the last and most ambitious of Francois Mitterand's "grand
projets", the much talked-about Bibiotheque de France whose creation was
officially launched on July 14, 1988.
Eight years and eight billion francs later France's new national library is
set to open its doors -- at least part way. On 17 December, a section of it will
open to the public with a limited collection of books. The ten million volumes
currently housed at the Bibliotheque Nationale on rue de Richelieu, home of
France's national library since 1720, will be transferred to Tolbiac over a
period of 20 months. The Richelieu building will continue to house special
collections, such as manuscripts, engravings, cartography, music, coins and
medals.
Architect Dominique Perrault is the man responsible for the sprawling
construction, which occupies a surface area the size of the Place de la Concorde
and contains 400 kilometres of stacks, both above ground and below. The towers,
apparently designed to ressemble open books standing on end, are used for
storage.
At the heart of the structure, and at the centre of much debate, is a sort
of in vitro forest transplanted from Normandy. Twenty mature silver pines
weighing 12 tonnes each, were dug up from a wild forest and brought to Tolbiac
where, along with more than one hundred cultured trees of different types, they
form what Perrault has termed a "jardin sacre". The garden is actually sealed
off in an aquarium-like pit and inacessible to the public, the idea being that
it is "sacred", "symbolic" and as "fragile as a rare book".
Around the pit, reading rooms offering nearly 4,000 places -- four times as
many as the Richelieu site -- are divided into upper and lower levels
(haut-de-jardin and rez-de-jardin). The general public will have access to the
upper level; researchers will work at "garden level".
The remainder of the library, whose operating costs will consume no less
than nine per cent of the Culture Ministry's total funding, will remain closed
until 1998, allowing the government to save from 100-150 million francs. A
spiraling budget, unpaid bills and the architectural concept itself have
generated considerable controversy thoroughout the project's unfolding. Planners
have also been criticized for using rare tropical species of wood both inside
and out.
Politicians and city officials are hoping the new facility will serve as a
cornerstone for the development of the "Seine-Rive Gauche" area that will
include nearly one million square metres of office space, as well as new housing
developments. The Boulevard Massena station is undergoing a facelift in
anticipation of the crowds of visitors expected to disembark there each day. But
for now, the four towers stand alone; the garden's sunken tree tops reaching
towards the sky are still the only sign of life in Paris's newest monumental
landmark.
Francoise Giovannangeli is a Canadian freelance writer who lives in Paris. She
can be contacted via
this link.