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Croissant Michael O'Shea's Paris Journal

By Michael O'Shea

Paris Kiosque - October 1997 - Volume 4, Number 10
Copyright (c) 1997 Michael O'Shea - used with permission
WARNING : if mushy and tender stories of romance make you queasy, this is not for you. You should stop reading now because I am going to wallow in gushy sweetness with the innocence of a fifteen year old. OK, you will have been warned.

Everyone always associates Paris with romanticism. As far as I was concerned that was a notion that only unknowing tourists could dig. My attitude came from the fact that I was secretly jealous of anyone who had actually been in a situation that pre-disposed them to romanticism while in Paris. I know it shows me up as a bitter and twisted soul but I don't care 'cos now I've finally got my heart-shaped "Besotted In Paris" badge. Everyone should know what it's like to feel like they're fifteen at least once in their lives. Here's what it was like for me.

We'll start from Waterloo this time. I'm meeting Vicky at the Eurostar departures for a week-end in Paris. I go down the escalator from the main concourse and there she is, a short-haired skinny boyish brunette with a wide smile that makes me melt. We go through the check-in and have a sandwich before boarding. Once under way we decide to get some drinks at the bar. I look at the price of the beers and decide that if we're going to be ripped-off we might as well do it in style. I buy a bottle of Champagne. This is going to be a week-end to be remembered otherwise there's no point in bothering. We return to our seats and serve the Champagne. It feels a little ostentatious but it's so good. The Champagne is a brut (I forget what brand it was) and is chilled : perfect. We chat throughout the whole trip.

The train arrives in Paris at 23:55. We're both excited, I'm going to see my pals, Vicky can't wait to visit the city. We need to phone but there are no coin-operated phones in Paris. They were replaced by ones which work with smart cards. Very hi-tech and all but right now we can't buy a smart card. No worries, we cross the road to a cafe. We go to the bar and order two espressos. With the change I go down to the phone in the basement. Turns out this one doesn't use coins anyway ! I go back up and ask someone behind the counter to connect it and they flick a switch which activates a meter. I finally manage to call Christelle's number. Alex answers the phone. Christelle will be back shortly, he'll be there and is waiting for us.

Christelle met Alex a month ago. He courted her relentlessly until she agreed to go out on a date with him. Three days later he moved into her place and three days after that they decided to get married ! It's not quite a love story, Alex needs work papers and so Christelle said she'd marry him. They do love each other very much but they wouldn't have gotten married if it hadn't been for the papers.

Vicky and I drink our espressos. I don't know if it's the coffee or the fact she's drinking an espresso in Paris but Vicky loves the taste of hers. She's quite surprised about how much I've changed in the last half hour since we've arrived. I can't tell for myself but I must say that I'm extremely happy to be here with her and feel like a fish in water ("comme un poisson dans l'eau"). We look at the TV screen, it's the news. I watch for a few seconds then adverts come on. I can't help watching the TV for a few seconds every so often. I translate some of the adverts for Vicky.

We take the Metro to Pere Lachaise. It really is a very comfortable system. After a year spent in London and riding its Underground, the Metro, is a luxury. We walk to the address, I type the code at the door and we take the elevator up to the 6th floor. This elevator is one of those things fitted into the stairwell of a building which was built years before they became widespread. It can just fit two people and a couple of bags. Even then it's a bit of a squeeze to get into the thing and avoid getting caught on the accordion doors.

I've actually seen worse. One friend's building had an elevator that was more like a coffin than anything else. If you shared it with someone else, you had to be good pals because otherwise the closeness would have been positively disturbing. You were literally 5 inches apart and had to hunch your shoulders because it was too narrow.

Christelle opens the door. She got back literally two minutes before us. We hug and kiss, I introduce Vicky and Christelle introduces Alex. We sit down in the living room and drink wine and coffee. Alex is Yugoslav and his French is pretty sketchy so Christelle has to translate certain things for him. Vicky understands only vaguely what is going on so we switch between speaking English (Christelle speaks a little) and French which I translate for her.

At 2 a.m. I decide it's time to call a cab. I take Vicky to Les Halles in the first arrondissement. The cab drops us off on the north side of the park just beside St Eustache cathedral. Most people like it, I don't. I think it's an unfinished mongrel of a building which mixes gothic architecture with some kind of a Roman temple front with round pillars and a pediment (gable? The triangular bit held up by the pillars). It was built in a gap in the buildings of its time which means it is stuck to other buildings on one side and the other side (park side) is an awkward curve where it probably was one side of a street.

The whole place is deserted. We walk across the park to the south side. Vicky is asking questions about all the buildings, I point a few things out to her. She likes the round Bourse du Commerce with its slate dome roof at the west side of the park. I'm very proud to be walking her through this place I know so well and which she finds completely fascinating. We enter the Comptoir, a bar just on the south edge of the park. We sit down at the bar and order two beers. The place is nearly empty which is quite a surprise. Usually this place would have been full of beautiful young people but even the waitress is at a loss as to why. OK, the weather's been miserable all day long but it's not raining now. Maybe it's got something to do with the fact it's the Fete de la Musique tomorrow. According to the waitress, even though it's particularly bad tonight, the general feeling is pretty gloomy these days.

We take off from there and go looking for a more lively place to have a drink. We go to rue St Denis which started off as a red-light district but which has gradually been cleaned up. There are still a few sex shops on the street but the prostitutes have been moved on. They still worked on the stretch of the road above rue de Turbigo but the Quartier Montorgueil got a face-lift two years ago and the prostitutes moved on.

We walk around the monumental fountain on the square at the beginning of rue St Denis. A small gang of young men start hassling us, doing an impression of policemen, asking to see our papers. I just go along in their rowdy game, being rowdy back and rapping away in their own street slang. I laugh and offer to show them my "carte de sejour", my official work permit from the time I lived there. They're pretty impressed as they're mostly foreign themselves. They give me a pat on the back and go away. Vicky is completely baffled at what has just happened. She said she hadn't understood a single word of what had been said but that she'd seen me turn into a French wiseguy for the space of a minute.

A band of three arab guys are playing arabic music. They're sitting on a stone bench, three tramps, completely drunk. It's really funny. One is playing a totally shabby looking violin à la arab, resting it on his thigh, holding it upright holding the bow horizontally. Another one is playing some large tambourine-looking thing with a huge hole in it and another is singing and clapping his hands to the music. Some other arab immigrant guys have stopped by just like me and Vicky. The musicians are so drunk the music is simply a cacophony. We leave after a couple of minutes.

We go into the Front Page and go downstairs. The band is having a break so we go back to the ground level where a band of three guys is playing the most cheesy 60s and 70s songs. The singer is trying to sound like a young teenage girl and is just annoying. We step out of there and go to the Pied de Cochon for our dinner. It's now a bit after three o'clock.

End of Part I


Michael O'Shea, lived in Paris for 7 years between October 1989 and April 1996 - roughly a third of the 20 years he has lived in France. When he moved from Strasbourg, he went to Paris pretty much as any other provincial going to the city. Although he is not French by nationality, he is in almost every other way, with a French education, French body language and spoken French sans accent. He currently lives in London.

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