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Paris Kiosque - September 1998 - Volume 5, Number 9 Copyright (c) 1998 Thirza Vallois - used with permission
Excerpted from "Around and About Paris"
When Princess Diana died on 31st of August 1997, her final
journey from the Ritz to La Salpêtrière had a further symbolic dimension
to someone like myself, who knew the history of both places. My immediate
reaction was: "How extraordinary that the most glamorous of princesses, who
had spent her last night out at the scintillating Ritz, should end up at
La Salpêtrière, of all places!
For La Salpêtrière is not just any Parisian
hospital. It was built to shelter, and to shelter only, the most wretched
outcasts and rejects of society. That Princess Diana should have died there
seemed to me particulary poignant, as in recent years she had decided to
devote her time precisely to some of the less privileged members of
society.
September in Paris is the "mois du patrimoine", an annual
occasion when Paris's magnificent monuments are open to the public. Rather
than join the endless queues that snake in front of the city's dazzling
palatial mansions, I'd rather take you to the third volume of "Around and
About Paris", for a visit of La Salpêtrière in the less sightly 13th
arrondissement. It will be our way of commemorating the first anniversay of
Princess Diana's tragic death and paying tribute to her work:
With so much wine and beer flowing about, the banks of the foul
river (referring here to the river Bievre which now runs underground)
attracted the most wretched riff-raff, who whiled away
the hours in unsavoury dives along the river,
drowning their misery in cheap alcohol, engaging in
brawls and crime.
It was among the embryonic working class of Faubourg Saint-Antoine
(now in the 11th and 12 arrondissements) and among the
rabble of the future 13th, `more wicked, more inflammable and
more disposed to mutiny than could be found anywhere else in Paris',
according to Louis-Sébastien Mercier, that the French Revolution
recruited its zealous hordes of angry followers.
Restif de la Bretonne, a contemporary of Mercier,
described how on the eve of 14 July the bandits
from Faubourg Saint-Marcel passed by his house on their way to join those
of Faubourg Saint-Antoine: Tout cela formait une tourbe formidable
(All this formed a formidable bog). And it
was the Patriotes of Faubourg Saint-Marcel who were the
first to arrive at the Palais des Tuileries on 10 August 1792 and demand
the abdication of the King.
It was here also that one of the most hideous episodes of
the French Revolution took place, le massacre de La Salpêtrière,
on the night of 3/4 September 1792. La Salpêtrière, originally
a gunpowder factory (hence its name) set up conveniently
opposite the King's Great Arsenal across the Seine, was
converted at the time of Louis XIV into a sort of
gigantic alms-house, into which were herded
willy-nilly the tramps and vagabonds of Paris, its rascals and
rogues, whores and cut-throats, charlatans and crooks - 40,000 in
all out of a total population of 400,000! This initiative was intended
to clear the streets of vice whilst providing shelter for
this wretched portion of humanity. A royal edict of 27 April 1656 clearly
stated the objective `to put an end to beggary and idleness, as
being the source of all disorder'. But the road to hell is paved with
good intentions and what was meant as a charitable institution, where
`all the poor would be gathered on
clean premises, so as to be tended to, be educated and be given an occupation',
turned out to be a diabolical depot for the dregs of society,
an infernal mosaic of human misery. The feeble-minded
and the hardened whore, the offender and the outlaw,
the outcasts and the homeless, the epileptic and the paralytic were penned
up side by side in the purgatory, the men at
Bicêtre, the women at La Salpêtrière. And despite the architectural
care bestowed on the establishment by the greatest artists
of the day - Le Vau, Le Muet, Libéral Bruant - who had
at their disposal huge donations from Fouquet, Mazarin and Pompon de Bellièvre, and
despite the efforts of its first chaplain and most charitable man
in the kingdom, Saint Vincent de Paul, the institution suffered
from horrendous overcrowding and appalling conditions.
These deteriorated dramatically after 1680, when, following a new royal
edict, La Salpêtrière also became a jail for prostitutes arrested on the authority
of a sealed letter from the King. Caught in
the net on the streets of Paris, they were driven in carts through crowds
of jeering Parisians to La Salpêtrière, where they were paired off with hardened convicts and shipped off
to the New World to populate its newly conquered territories.
The reign of absolutism had no concern for the suitability of the
couples or for their uprootedness. Nor did it have much compassion for the
mentally deranged, as the Duc de La Rochefoucauld reported
after a visit to the place: `Everything is in a state of neglect to a degree as inconceivable
as it is distressing. All categories of madness are confounded; chained-up
mad women (and there are many of them) are united with peaceful ones.
The latter have to put up permanently with the horrific spectacle of the
contortions and fury of their enraged inmates, which
they accompany with perpetual screams, and never
enjoy a moment of rest... Here there is no gentleness, no consolation,
no remedy.'What the Duke had
overlooked (or failed to mention) was that the building was also overrun by
voracious rats.
On that night of 3/4 September 1792, the unbridled rabble of Fauborg
Saint-Marcel, equipped with their notorious pikes, assaulted La Salpêtrière, initially
with the generous intention of releasing the cruelly detained street-girls.
However, with so much alcohol flowing in their veins, by the time they reached
La Salpêtrière their brutish instincts got the better of them and the
enterprise turned into an unutterable orgy of blood.
Whereas 183 prostitutes were indeed released and hailed by the mob,
45 dishevelled, mentally-deranged women were dragged into the street
and massacred in view of all. This prompted Madame Roland,
hitherto a great supporter of the Revolution, to write in
her Memoirs that the Revolution `has been stained by villans and
become hideous'.
Lovers of 17th-century architecture may wish to visit La Salpêtrière,
the largest hospital in Paris, sprawling on the north-eastern edge of the arrondissement. The
main entrance in on Square Marie-Curie, on Boulevard de L'Hôpital, adjacent
to the Gare d'Austerlitz. Here stands a statue of Pinel, commemorating
the 19th-century doctor who devoted his career
to the relief of the mentally ill. The imposing façade of the
institution ahead vividly recalls the façade of the Hôtel des Invalides,
not surprisingly, since the two are roughly contemporary and were designed
for a similar function, that is, to remove from the streets the
undersirable or cumbersome members of society and to intern them
in a glorified setting as befitted an era of the Sun King.
Homeless war veterans were shut up in the Invalides (1670) and
all categores of paupers at the Hôpital Général (1657),
which was made up of three sections, Bicêtre for males,
La Pitié for boys and La Salpêtrière for women.
Paris at the time numbered 400,000 inhabitants - 10 per cent of whom were
homeless! As many as 10,000 were interned at La Salpêtrière alone, making it the largest hospice
in the world!
Following the canons of the time, Louis Le Vau designed
a compound in perfect geometric order arund a square courtyard,
La Cour Saint-Louis, endowing it with an austere façade in
keeping with the nature of the institution. However, he was too busy
with other ventures - the Louvre, Versailles, Vincennes - and had
to pass on the torch to Duval and Le Muet, and it was
Libéral Bruant, the architect of the Invalides, who was commissioned to
build the institution's chapel in 1669 on the site of an earlier chapel
dedicated to Saint Denis. At the entrance to the chapel is
an elegant porch with three harmonious Ionic arcades, and a
beautifully sculptured wooden portal, also dating from the 17th
century.
Inside the chapel a latern-shaped dome surmounts a central
octagonal rotunda where the high alter stands, the
meeting-point of four austere equal-sized naves which make up the shape of a Greek cross.
This design allowed four groups of worshippers for whom the chapel was erected - men, women, boys, girls - to
be seated apart yet close to the high alter - the demented,
the feebleminded, the homeless and the debauched - all of whom
listened to the sermon and the Holy Scriptures read to them from the beautiful wrought-iron
lectern that may still be seen at present. The chapel
was in fact the keystone of the venture, which gave it moral and
spiritual credibility, and it is not insignificant that the
first chaplain of La Salpêtrière was no other than Saint Vincent de Paul,
the most respected churchman of the 17th century, who had
devoted his life to improving the lot of the poor and
alleviating the pains of society's rejects.
Reality proved very different.
La Cour Manon Lescaut, one of the hospital's courtyards,
commemorates the tragic heroine of
l'Abbé Prévost's novel, who, like so many of
her contemporaries, was locked up for debauchery in the prison section
of La Salpêtrière before being deported to the `islands'.
Throughout the 18th century, La Salpêtrière remained the antechamber of deportation,
helping France consolidate her grip on the newly
acquired territories in Canada, Louisiana, and the Caribbean Islands.
The mentally deranged had their own section in this purgatory,
where they were chained to the cell walls, abandoned to their
fate, bitten by rats, screaming out their agony.
It was only in the early 19th century, at the instigation of Dr. Pinel, that
the approach to mental disease began to change.
Friend of the Encyclopédistes and
child of the 18th-century enlightenment, Dr. Pinel did away
with the chains, a revolutionary step and hitherto inconceivable.
Pinel died in 1826 but he had shown the light to his
followers and during the reign of Louis-Philippe the inmates' cells were also
done away with - yet another revolution.
In the second half of the 19th century, when Dr. Charcot took over the department,
La Salpêtrière became world famous as a psychiatric centre, and students came from
all over Europe to listen to Charcot's lectures.
Among them was a young student by the name of Sigmund Freud.
Today a cultural association, Les Amis de Saint-Louis, helps to promote
the 17th-century chapel and bring it to the attention of the public
by way of various activities.
You may consider attending a chamber-music concert here on a Sunday afternoon.
Thirza Vallois brings Paris to life in a way that enthralls her readers and
provides them with a detailed knowledge of the city which exceeds that of
most Parisians, while her fast moving style disguises a depth of historical
fact that is normally only found in academic tomes. Writer William Boyd
wrote in The Spectator: "I think we can safely toss all other Paris
guidebooks aside....There can be no higher praise than when I say they come
close to the world's greatest guidebook, J. Link's "Venice for Pleasure"
and they should soon achieve similar legendary status." The French
Ambassador to the UK wrote: "I am convinced that this guide will constitute
from now on, for the British lovers of Paris, a reference book which will
have the success it deserves."
Around and About Paris may
be ordered
here.
A long time resident of Paris, she
currently lives just three hours outside of Paris in London,
and may be contacted via
thirzavallois@iliadbooks.demon.co.uk.